Audiences lucky enough to catch Wang’s intimate slice of Chinese reality should be inspired to live in better harmony with nature and their fellow man, and, in a word, conserve. In contrast to the migrant girl’s lament for the horses and cows and ducks and pigs of her home village, these words capture perfectly the ever-churning human desire to get ahead in the big city while also returning to a more peaceful existence in nature. “Study hard and you can move to Beijing and buy a flat and a car and marry.” “This is where the rich people live,” he tells his son. The factory boss himself is proud to be able to send his own son to school for $65 a month, to ditch his beat up old van for a sleek red sedan, and finally, to be able to take his mother, wife and only child to Beijing on holiday to see Chairman Mao’s mausoleum in Tiananmen Square. Told she can’t go to school, she takes it upon herself to study English from flash cards given to her by the factory boss (“I may be small but I am mighty,” she tells the camera at one point). One-fifth of humanity calls it home and each day its members are developing habits of consumption that will be passed on to future generations-some good, but many bad and hard to break.įor each tear shed at the migrant kids voicing a desire to participate in the conspicuous consumption, the waste of which washes up on their shores (the migrant daughter collects cut-outs of magazine ads picturing fashionable shoes), Plastic China also sounds notes of hope and even joy. We all need to know what’s going on in China’s environment. Their work and this film is a service to the world. Plastic China was produced by the CNEX Foundation, a nonprofit with roots in Taiwan, whose films about people from all around China exhibit a dedication to showing truths not widely reported in state-controlled media on the mainland. With much recent attention paid in the West to the Trump Administration’s abdication of the leadership role in combatting climate change and the opportunity this affords China to show the world just how green its once-red country could become, Plastic China shines a light on just how much help China will need from all its world neighbors-down to each individual human being-if it is to become a responsible role model for the stewardship of our planet. Drunk and missing village life back home in Southwest China, their father rails about making $5 a day and curses the bankrupt values of the factory boss, who is himself a Shandong native just barely a rung up the ladder. The kids don’t go to school-not this migrant workers’ five kids, anyway. That’s what these kids and their desperate parents do, day-in and day-out. Sort it out, melt it down and turn it into tiny hard plastic pellets that are then resold to make more plastic Mickey Mouse dolls, hot pink beach sandals, and sleek smartphones. Everything they do happens near or directly on top of mounds of plastic comprised of greasy empty tubs of “Cholesterol-Lowering” margarine from Italy, bags of “Veterinarian-Recommended” special beef-formula kibble for the U.S.’s large pet dogs, pages of glossy fashion magazines advertising stilettos to Japanese women, bottles of “Revitalizing” foot cream from South Korea, and endless tangles of packing tape from DHL, FedEx, and UPS from all around the world. The children work, sleep, eat, play and sometimes dream-in that order-inside a cinderblock compound in East Coast China’s Shandong province. But anybody who’s ever found him- or herself stuck in an environment that makes growth nearly impossible will relate to the young children of Plastic China, growing up, literally, on a mountain of trash. Most viewers will never have had the experience of being a pre-teen girl from rural Sichuan province whose illiterate, heavy-drinking, unskilled laborer father demands she care for her three younger brothers and infant sister and work to earn the boys’ tuition for a school she’s not allowed to attend. (Any viewer who comes out of Plastic China and doesn’t think twice the next time he or she contemplates buying water in a disposable plastic bottle is a lost cause). By stepping back and simply observing a tight-knit group of naturally-flawed human beings struggling to improve their existence, Wang-who also served as the film’s cinematographer-manages to make his work entirely relatable and, as a result, uplifting.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |